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The Illustrated London News, 1932-1934 by G. K. Chesterton Book Resume:
This volume contains all of G.K. Chesterton's columns in The Illustrated London News from 1932 to 1934. Most of the weekly articles have never been printed in book form until Ignatius Press undertook to do the collected works. Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing. The breadth and depth of his knowledge - from history to politics to English fads and conventions - never fail to impress, and his wit is as refreshing as when these pieces were first written.
The Collected Works of G.K. Chesterton by Gilbert Keith Chesterton Book Resume:
The topics of the 150 columns in the volume include: "The Real Problem with Religious Toleration", "The Modern Longing for Slavery", "America in a Rut", "The Ku Klux Klan and American Conservatism", "An Artist's Satire on War", "The Monster Called Man". Volumes 27 through 37 are collected columns from The Illustrated London News Most of the weekly articles Chesterton wrote for The Illustrated London News have never been printed in book form until Ignatius Press undertook to do the collected works. These volumes contain all of Chesterton's columns in The Illustrated London News, beginning in 1905. The great majority have never appeared in book form. Chesterton lovers will be delighted to find this treasure filled with jewels quite the match of his best writing.
The 1879 Zulu War Through the Eyes of the Illustrated London News by Ron Lock Book Resume:
Every Saturday morning, at the cost of sixpence, the Illustrated London News presented to its readers descriptions of events and bloody battles, brought alive by the magnificent illustrations drawn by the top war artists of the day.
Herbert Ingram esq., M.P., of Boston by Isabel Bailey,History of Boston Project (Boston, England) Book Resume:
Download or read Herbert Ingram esq., M.P., of Boston book by clicking button below to visit the book download website. There are multiple format available for you to choose (Pdf, ePub, Doc).
Dynamics of the Pictured Page by Peter W. Sinnema Book Resume:
Originally published in 1998, Dynamics of the Pictured Page provides a critical study of the world's first regularly illustrated newspaper, the Illustrated London News, founded by Herbert Ingram in 1842. Focusing on the first decade of this enormously influential weekly, this book situates the ILN within the publishing history of periodicals, arguing not only for a better understanding of those new modes of production engendered by an illustrated newspaper, but also for the need to theorize the relations between engraved images and printed text that constituted the ILN, which advertised itself as an unprecedented 'marriage' between art and literature. Through a series of interpretive interventions that focus on categories that would have had especially powerful reverberations for Victorian readers (for example, the home, the railway, the public funeral, and serialized literature), this book traces the newspaper's complex strategies of appeal to a middle-class English readership. This book will appeal to students of nineteenth-century literature and history (especially those with an interest in publishing history and the history of the press), as well as to Victorian studies scholars.
The Illustrated London Almanack by Jabez Hogg,James Glaisher Book Resume:
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
John Martin: Sketches of My Life by John Martin Book Resume:
In February and March of 1849, the "Illustrated London News" carried a series of announcements about the works of the painter John Martin being exhibited at the British Institution, the third of which included an account of his early life. On the 17 March the paper received a long letter from the artist, reproduced here in full, in which he demands a right of reply. Their article is, he claims, "so unfortunate a tissue of errors from beginning to end, that it can only have the effect of misleading your readers."Martin's brief autobiography makes fascinating reading. Beginning with his youth in Newcastle where he was apprenticed to a coach-builder, it recounts his initial struggles in London and the eventual recognition accorded to his vast, apocalyptic landscape painting and stunning engravings, ending with the civic works he devoted himself to in later years. The reader is left in awe of Martin's determination and drive.With an introduction by Martin Myrone, Lead Curator of Pre-1800 British Art at Tate Britain, this engaging book provides many new insights into the work of this extraordinary painter of sublime landscapes and the times in which he lived.
Printing and Painting the News in Victorian London by Dr Andrea Korda Book Resume:
This first in-depth study of 1860s publication The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of paintings labeled as Social Realist. Korda shows that the paintings engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.