Le Cinéma Français Contemporain

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Le Cinéma Français Contemporain

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Le Cinéma Français Contemporain by Alan J. Singerman,Michèle Bissière Book Resume:

Text in French. Through its analyses of twenty notable and representative French films that have appeared since 1980, Le Cin�ma fran�ais contemporain: Manuel de classe offers an eagle-eyed view of recent French cinema that will delight advanced students of French as well as Francophone students of French film.

Le cinéma français contemporain

Le Cinéma Français Contemporain [Pdf/ePub] eBook

Le cinéma français contemporain by René Prédal Book Resume:

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Contemporary French Cinema

Le Cinéma Français Contemporain [Pdf/ePub] eBook

Contemporary French Cinema by Alan J. Singerman,Michèle Bissière Book Resume:

Like its French-language companion volume Le Cinéma français contemporain: Manuel de classe, Alan Singerman and Michèle Bissière's Contemporary French Cinema: A Student's Book offers a detailed look at recent French cinema through its analyses of twenty notable and representative French films that have appeared since 1980. Sure to delight Anglophone fans of French film, it can be used with equal success in English-language courses and, when paired with its companion volume, dual-language ones. Acclaim for Le Cinéma français contemporain: Manuel de classe "From Le Dernier Métro to Intouchables, Bissière and Singerman cover the latest trends of French cinema, emphasizing context and analytical method as Singerman did in Apprentissage du cinéma français (Focus 2004). The authors offer a selection of films most French cinephiles will applaud, and they incorporate insights from some of the best critical work on French cinema. Students of French film will also find all the bibliographical pointers they need to dig deeper, and instructors will appreciate the pedagogical components included in the chapters." --Jonathan Walsh, Department of French Studies, Wheaton College, Massachusetts "This remarkable book comes to us from two seasoned teachers and critics and beautifully complements an earlier work, Alan Singerman's Apprentissage du cinéma français. The time period covered, more targeted here than in the preceding text, is admirably well chosen, and the breakdown by broad category, each offering multiple options, guides the teacher while offering a choice among an abundance of interesting films. The preliminary chapters, both succinct and informative, give students an excellent overview of French cinema as a whole and of the technical knowledge needed for film analysis. Each of the subsequent chapters offers an indispensable introduction discussing the plot, director, production, actors, reception, and context of the film in question and also provides a very useful filmography and bibliography... an exemplary work." --Brigitte E. Humbert, Department of French and Francophone Studies, Middlebury College

A Companion to Contemporary French Cinema

Le Cinéma Français Contemporain [Pdf/ePub] eBook

A Companion to Contemporary French Cinema by Alistair Fox,Michel Marie,Raphaëlle Moine,Hilary Radner Book Resume:

A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time

The Cinema of France

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The Cinema of France by Phil Powrie Book Resume:

An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995).

French Film

Le Cinéma Français Contemporain [Pdf/ePub] eBook

French Film by Susan Hayward,Ginette Vincendeau Book Resume:

The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

Modern Perspectives on the Early Modern

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Modern Perspectives on the Early Modern by Anne L. Birberick,Russell Ganim Book Resume:

Essays show how 19th- and 20th-century artists (writers, film makers, etc.) as well as critics and historians have interpreted 16th-, 17th-, and 18th-century French literature. Index. Full bibliographies.

La littérature française contemporaine

Le Cinéma Français Contemporain [Pdf/ePub] eBook

La littérature française contemporaine by Frank Baert,Dominique Viart Book Resume:

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The New Face of Political Cinema

Le Cinéma Français Contemporain [Pdf/ePub] eBook

The New Face of Political Cinema by Martin O'Shaughnessy Book Resume:

Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.

Histoire du cinéma

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Histoire du cinéma by Encyclopaedia Universalis,Les Grands Articles Book Resume:

La première projection du cinématographe Lumière a lieu le 28 décembre 1895, au Grand Café, boulevard des Capucines à Paris. Le nouvel art puisera abondamment dans le trésor dramatique aussi bien théâtral que romanesque, du XIXe siècle finissant. Il lui empruntera sa puissance d'évocation liée à l'appétit de conquête d'une...

France Au XXIe Siècle

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France Au XXIe Siècle by Marie-Christine W. Koop,Rosalie Vermette Book Resume:

The twenty-first century is now underway, and it's time to look at France once again as it moves into the new millennium. The current collection of essays explores cultural themes which are different than those in the editors' earlier volume, La France à l'aube du XXIe siècle: Tendances et mutations / France at the Dawn of the Twenty-First Century: Trends and Transformations, published in 2000 (Summa Publications; see Google Book Seach on home page). Among the topics explored in this new volume are the presidential election of 2007, changing dietary habits, the condition of women, environmental policies, the economy, education, social mobility, young people, religion, as well as contemporary music, cinema, regional theater, and literature. Articles on multiculturalism, the position of French in today's world, and France in the European Union also provide the reader with provocative insights. All chapters include extensive references (and web sites) and will be of interest to academics, teachers and students of contemporary French culture, and all Francophiles. For the classroom teacher, additional cultural information and activities will be found on the editors' own home page; this material will be updated on a regular basis, thus facilitating the task of presenting a modern-day France that is continuously changing. - Publisher.

L'Écrit-Écran des Rougon-Macquart

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L'Écrit-Écran des Rougon-Macquart by Anna Gural Book Resume:

A partir d'une analyse de trois romans-phares des Rougon-Macquart - Le Ventre de Paris, Germinal et Nana - l'auteur se propose d'apporter un éclairage inédit sur la dimension visionnaire des mécanismes de la représentation dans cette série, et s'attache à montrer qu'ils reposent sur les mêmes fondements que ceux du cinéma. Il s'agit aussi de mettre en lumière une spécificité de l'écriture zolienne en examinant la manière dont des cinéastes tels que Sergei Eisenstein (La Grève, 1928), Claude Berri (Germinal, 1993) et Dan Wolman (Nana, 1982), cherchent à s'approprier son processus d'élaboration, sa rhétorique visuelle et ses visées esthétiques. La démarche interdisciplinaire de cet ouvrage consiste à recourir à des données iconiques et filmiques comme concepts de méthode permettant de subsumer les différents médiums pour faire valoir, dans le roman zolien, une pratique artistique cautionnée par l'expérience naturaliste qui ne saurait advenir sans le dispositif visuel du cadre et de l'écran.

Le film policier français contemporain

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Le film policier français contemporain by Olivier Philippe Book Resume:

Cette enquête sur le film policier français de ces trente dernières années poursuit le double but de mieux comprendre les secrets du succès populaire de cette production et d'en dévoiler la dimension proprement politique.

Alienation and Alterity

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Alienation and Alterity by Helen Vassallo Book Resume:

Discussions of French 'identity' have frequently emphasised the importance of a highly centralised Republican model inherited from the Revolution. In reality, however, France also has a rich heritage of diversity that has often found expression in contingent sub-cultures marked by marginalisation and otherness - whether social, religious, gendered, sexual, linguistic or ethnic. This range of sub-cultures and variety of ways of thinking the 'other' underlines the fact that 'norms' can only exist by the concomitant existence of difference(s). The essays in this collection, which derive from the conference 'Alienation and Alterity: Otherness in Modern and Contemporary Francophone Contexts', held at the University of Exeter in September 2007, explore various aspects of this diversity in French and Francophone literature, culture, and cinema from the nineteenth to the twenty-first century. The contributions demonstrate that while alienation (from a cultural 'norm' and also from oneself) can certainly be painful and problematic, it is also a privileged position which allows the 'étranger' to consider the world and his/her relationship to it in an 'other' way.

Les mères et la mort

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Les mères et la mort by N.A Book Resume:

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