American Savages

The sharp and hilarious second book in THE SAVAGES series about an everyday family with some not-so-everyday problems... Vegan, veggie, carnivore... humanitarian? Welcome to the top of the food chain. The Savages are back - this time in a country where servings come supersized. Titus, Angelica and the kids go to great lengths to fit into their new lives in sunny Florida. But that's not easy when their appetite runs to feasts of human flesh. In this dark comic serving of everyday family life with contemporary cannibals, the Savages seek to hide in plain sight by setting up a vegan café. But when the venture turns out to be a surprise sensation, and bad apples bob to the surface, Titus is forced to question whether the family have finally bitten off more than they can chew.

Ruthless People #1...the book that started it all...... "One Marriage + Two Bosses = 3X the Chaos." To the outside world, they look like American royalty, giving to charities, feeding the homeless, and rebuilding the city. But behind closed doors is a constant battle for dominance between two bosses, cultures, and hearts. Ruthless People is a romantic crime fiction set in modern day Chicago and follows the life and marriage of Melody Giovanni and Liam Callahan - rivals by blood and leaders through fear. Theirs is an arranged marriage with the goal of ending years of bloodshed between the Irish and the Italians. Liam assumes he's getting a simple-minded wife, one he can control, one who bends to his every need...he’ll soon find out that his wife to be does not fit that mold. Melody knows exactly what type of man Liam is and would rather die than give up the power she has spent her life earning. The mafia of the past has evolved, and with rival bosses gunning for their family, Melody and Liam will have to learn to work as one to take down those who stand in their way. Check out more thrilling titles in the Ruthless People series: RUTHLESS PEOPLE #1 "One Marriage + Two Bosses = 3X the Chaos." THE UNTOUCHABLES (#2) "One Secret, Multiple Casualties." AMERICAN SAVAGES (#3) "Villains by Choice." A BLOODY KINGDOM (#4) “After the battle, sharpen your knives.” DECLAN + CORALINE(prequel novella that takes place 2 years before Ruthless People) "You don't find love; it finds you." And look for the Ruthless People spinoff, Children of Vice--out 5.17.17“From the Ruthless, Vice shall Rise.”

The sex-advice columnist for "Savage Love" draws on his experience with the It Gets Better campaign to share pithy insights into a range of topics including health care, gun control, and marriage equality.

The fourth book in the Ruthless People Series is here... “After the battle sharpen your knives.” It has been eight years since the Callahans defeated Avian Doers and conquered Chicago. Melody is now the Governor and public face of the family, while Liam rises as the Ceann na Conairte of both the Irish and Italians. Their reach is limitless; their power endless...but is it possible to have too much power? Can Liam and Melody raise a family, a city, and an empire? Only a fool would try to stop them now... Check out more thrilling titles in the Ruthless People series: RUTHLESS PEOPLE #1 "One Marriage + Two Bosses = 3X the Chaos." THE UNTOUCHABLES (#2) "One Secret, Multiple Casualties." AMERICAN SAVAGES (#3) "Villains by Choice." A BLOODY KINGDOM (#4) “After the battle, sharpen your knives.” DECLAN + CORALINE(prequel novella that takes place 2 years before Ruthless People) "You don't find love; it finds you." And look for the Ruthless People spinoff, Children of Vice--out 5.17.17“From the Ruthless, Vice shall Rise.”

But teenager Sasha’s secret trumps them all: she is dating a vegetarian. This trait will never fly with the rest of the Savages, who are…uniquely carnivorous. Problems start to pile up. Sasha’s boyfriend convinces her to try going vegetarian for a month, but then leaves her for a vegan vigilante. Angelica attempts to pay her mounting credit card bill by allowing commercials to film in the family home, until one of Ivan’s pranks leaves a model dead in their bathroom. A detective hired to investigate Titus’s predatory business affairs notices the model’s disappearance, and starts to think that there may be something more sinister to the perfect-seeming Savages. He’s right, of course—they’re cannibals.

In Images of Savages, the distinguished psychologist Gustav Jahoda advances the provocative thesis that racism and the perpetual alienation of a racialized 'other' are a central leagacy of the Western tradition. Finding the roots of these demonizations deep in the myth and traditions of classical antiquity, he examines how the monstrous humanoid creatures of ancient myth and the fabulous "wild men" of the medieval European woods shaped early modern explorers' interpretations of the New World they encountered. Drawing on a global scale the schematic of the Western imagination of its "others," Jahoda locates the persistent identification of the racialized other with cannibalism, sexual abandon and animal drives. Turning to Europe's scientific tradition, Jahoda traces this imagery through the work of 18th century scientists on the relationship between humans and apes, the new racist biology of the 19th century studies of "savagery" as an arrested evolutionary state, and the assignment, especially of blacks, to a status intermediate between humans and animals, or that of children in need of paternal protection from Western masters. Finding in these traditional tropes a central influence upon the most current psychological theory, Jahoda presents a startling historical continuity of racial figuration that persists right up to the present day. Far from suggesting a program for the eradication of racial stereotypes, this remarkable effort nevertheless isolates the most significant barriers to equality buried deep within the Western tradition, and proposes a potentially redemptive self-awareness that will contribute to the gradual dismantling of racial injustice and alienation. Gustav Jahoda demonstrates how deeply rooted Western perceptions going back more than a thousand years are still feeding racial prejudice today. This highly original socio-historical contextualisation will be invaluable to scholars of psychology, sociology and anthropology, and to all those intereste

The publication committee of the Caxton Club certify that this is one of an edition of one hundred and seventy-five copies printed on Old Stratford paper, and three copies printed on Japanese Vellum. The printing was done from type which has been distributed. -- inside cover.

Running a lucrative marijuana operation in Laguna Beach, environmentalist Ben and mercenary Chon confront an adversary in the Mexican Baja cartel who kidnaps their playmate and confidante Ophelia, compelling the duo to plot negotiations.

From the sixteenth to the eighteenth centuries, Europeans struggled to understand their identity in the same way we do as individuals: by comparing themselves to others. In Savages, Romans, and Despots, Robert Launay takes us on a fascinating tour of early modern and modern history in an attempt to untangle how various depictions of “foreign” cultures and civilizations saturated debates about religion, morality, politics, and art. Beginning with Mandeville and Montaigne, and working through Montesquieu, Diderot, Gibbon, Herder, and others, Launay traces how Europeans both admired and disdained unfamiliar societies in their attempts to work through the inner conflicts of their own social worlds. Some of these writers drew caricatures of “savages,” “Oriental despots,” and “ancient” Greeks and Romans. Others earnestly attempted to understand them. But, throughout this history, comparative thinking opened a space for critical reflection. At its worst, such space could give rise to a sense of European superiority. At its best, however, it could prompt awareness of the value of other ways of being in the world. Launay’s masterful survey of some of the Western tradition’s finest minds offers a keen exploration of the genesis of the notion of “civilization,” as well as an engaging portrait of the promises and perils of cross-cultural comparison.

A dramatic, exciting and tragic book about the Irish fur trapper who held the fate of America and the British Empire in his hands. William Johnson began life as a poor Irish Catholic peasant. After converting to Protestantism, he emigrated to America where he became the leading fur trader in the British colony and one of its richest men. He also 'went native', marrying an Indian woman and adopting the religion of her tribe, the Iroquois. When war broke out between the French and English, Johnson held the fate of the British Empire in his hands. If the Indians fought with the French, the British were doomed. A fascinating historical biography of this adventurous man, whose reinvention in the New World made him the first modern American.

Savages within the Empire explores how Britons perceived and represented American Indians during a time when the empire and its constituent peoples began to capture the nation's sustained attention for the first time. Troy Bickham considers an array of contexts,including newspapers, imperial policy, museum exhibits, the Enlightenment, missionary records, and the public outcry over the use of American Indians as allies during the American War of Independence. He thusreveals the prevailing pragmatism with which Britons of all ranks approached the empire as well as its impact on British culture.

History of the Micmac Indians of northeastern North America. Includes descriptions of traditinal social and political systems but focuses primarily on the post-colonization period.

The myth of the peace-loving "noble savage" is persistent and pernicious. Indeed, for the last fifty years, most popular and scholarly works have agreed that prehistoric warfare was rare, harmless, unimportant, and, like smallpox, a disease of civilized societies alone. Prehistoric warfare, according to this view, was little more than a ritualized game, where casualties were limited and the effects of aggression relatively mild. Lawrence Keeley's groundbreaking War Before Civilization offers a devastating rebuttal to such comfortable myths and debunks the notion that warfare was introduced to primitive societies through contact with civilization (an idea he denounces as "the pacification of the past"). Building on much fascinating archeological and historical research and offering an astute comparison of warfare in civilized and prehistoric societies, from modern European states to the Plains Indians of North America, War Before Civilization convincingly demonstrates that prehistoric warfare was in fact more deadly, more frequent, and more ruthless than modern war. To support this point, Keeley provides a wide-ranging look at warfare and brutality in the prehistoric world. He reveals, for instance, that prehistorical tactics favoring raids and ambushes, as opposed to formal battles, often yielded a high death-rate; that adult males falling into the hands of their enemies were almost universally killed; and that surprise raids seldom spared even women and children. Keeley cites evidence of ancient massacres in many areas of the world, including the discovery in South Dakota of a prehistoric mass grave containing the remains of over 500 scalped and mutilated men, women, and children (a slaughter that took place a century and a half before the arrival of Columbus). In addition, Keeley surveys the prevalence of looting, destruction, and trophy-taking in all kinds of warfare and again finds little moral distinction between ancient warriors and civilized armies. Finally,